BLIX.INGRID@HOTMAIL.COM
APPENDIX
2023
Dimensions Variable
Handcasted bronzeplate made from old coins, pigmented walls, pollen seeds, found objects, storage space, caution tape
This place holds a placelessness, it has regulations
and one of the walls does not reach to the ceiling.
This place is not featured in the floor plan of the building but
is used as a storage and emergency route.
Even though the room does not exist, it still has a place and it is located here.
It has been given a name by the property staff, Blindtarmen (Appendix).
Dimensions Variable
Handcasted bronzeplate made from old coins, pigmented walls, pollen seeds, found objects, storage space, caution tape
This place holds a placelessness, it has regulations
and one of the walls does not reach to the ceiling.
This place is not featured in the floor plan of the building but
is used as a storage and emergency route.
Even though the room does not exist, it still has a place and it is located here.
It has been given a name by the property staff, Blindtarmen (Appendix).
Photo: Caroline Nord
ACOUSTIC PLATE 1&2
2023
185x165x95 cm & 180x120x165 cm
Ceiling panels of wood wool mixed with cement and water in suspended aluminum frame
The acoustics in a room can be good or bad, it depends on the user.
These sculptures consist of two suspended aluminum grids reminiscent of an
inner ceiling. They are prominent in the room but their functionality is put out of play,
number 2 matches the height of the artist.
The room’s acoustics and enclosure are fragmented.
‘Swift as Thought!’
2023
Variable Dimensions
Collaborative exhibition w/ Oda Haugerud
Contact mic, mixer, speakerelements, metal casts, walnut water, sour milk
The exhibition provokes what is interior and exterior
through site-specific interventions. Physical components leak and are in transformation
in the gallery space. The intervention takes shape through stains,
displaced sound and casts of negative by-products.
Variable Dimensions
Collaborative exhibition w/ Oda Haugerud
Contact mic, mixer, speakerelements, metal casts, walnut water, sour milk
The exhibition provokes what is interior and exterior
through site-specific interventions. Physical components leak and are in transformation
in the gallery space. The intervention takes shape through stains,
displaced sound and casts of negative by-products.
Photo: Lars Nordby
THEATRE
2023
50x60x40 cm
Replica of an Animal Hotel as seen at Schiphol Airport: pvc-curtain, sheet metal, galvanized metal vent, rubber wheels
Through the window with the half-closed blinds at Schipol Airport, I saw something peculiar
with my early morning, half-closed eyes.
It looked like an ambulant theatre but it was only 60-70 cm in height.
It was a metal box on wheels, with a tilted roof and an air-vent.
Blue, thick plastic made out the fourth wall, it looked like a theatre curtain.
On one of the short-sides there was a note that read: “ANIMAL HOTEL''.
50x60x40 cm
Replica of an Animal Hotel as seen at Schiphol Airport: pvc-curtain, sheet metal, galvanized metal vent, rubber wheels
Through the window with the half-closed blinds at Schipol Airport, I saw something peculiar
with my early morning, half-closed eyes.
It looked like an ambulant theatre but it was only 60-70 cm in height.
It was a metal box on wheels, with a tilted roof and an air-vent.
Blue, thick plastic made out the fourth wall, it looked like a theatre curtain.
On one of the short-sides there was a note that read: “ANIMAL HOTEL''.
GOSSIP
2023
04:00 min, 10x10 cm
Contact-mic recording of drain-pipes in the building, a former telephone factory, manipulated sound, metalbracket and speaker, looped every 20 minutes
Poster from archived document of a consonant analysis of the former telephone factory.
(Omkopplingar: Avskrifter, Listor, Dokument, Arkiv (med särskilt avseende på Midsommarkransen-Telefonplan), p.544, Cecilia Grönberg, Jonas J Magnusson, Glänta Produktion 2006)
04:00 min, 10x10 cm
Contact-mic recording of drain-pipes in the building, a former telephone factory, manipulated sound, metalbracket and speaker, looped every 20 minutes
Poster from archived document of a consonant analysis of the former telephone factory.
(Omkopplingar: Avskrifter, Listor, Dokument, Arkiv (med särskilt avseende på Midsommarkransen-Telefonplan), p.544, Cecilia Grönberg, Jonas J Magnusson, Glänta Produktion 2006)
ABSORBENT
2023
60x120 cm, set of 10
Hand-dyed silk with the residues of rust, lichen, birch leaves, eucalyptus, coins; acoustic panels (stone-fiber mineral wool), custom metal brackets
2023
60x120 cm, set of 10
Hand-dyed silk with the residues of rust, lichen, birch leaves, eucalyptus, coins; acoustic panels (stone-fiber mineral wool), custom metal brackets
GIRO
2022
300x300 cm
Historic coins (oxidated, worn out beyond recognition), decaying rose hip fruits, lonely buttons
-->
The different objects are laid out on the floor in a formation reminiscent of a children’s game, there is possibly one or several
logics to how the objects are placed and it is unclear whether it is in the middle of a game and if it has a winner.
The etymology of the title, giro, dates back to ancient Greek’s word for circle and is today used in circulation of money.
300x300 cm
Historic coins (oxidated, worn out beyond recognition), decaying rose hip fruits, lonely buttons
-->
The different objects are laid out on the floor in a formation reminiscent of a children’s game, there is possibly one or several
logics to how the objects are placed and it is unclear whether it is in the middle of a game and if it has a winner.
The etymology of the title, giro, dates back to ancient Greek’s word for circle and is today used in circulation of money.
THE FIRST TOOL
2022
300x60 cm
pulleys, porcelain, carbine hooks, schakles, rope, dried leafs, metal chains
The pulley is sometimes included as the sixth one of five in the system of simple machines
where solely one source of power is used, at the cost of longer distance.
Most of the objects and materials included in this sculpture seem to be inseparable from utility,
although that can also be questioned.
The rubber springs are casted in porcelain, the dried leaf is held up by what also made a hole through it.
2022
300x60 cm
pulleys, porcelain, carbine hooks, schakles, rope, dried leafs, metal chains
The pulley is sometimes included as the sixth one of five in the system of simple machines
where solely one source of power is used, at the cost of longer distance.
Most of the objects and materials included in this sculpture seem to be inseparable from utility,
although that can also be questioned.
The rubber springs are casted in porcelain, the dried leaf is held up by what also made a hole through it.
FRIVOLITIES
2021
Dimensions Variable
Fragment of political campaign poster, casted concrete from negative of heelshoes, gravel, crumpled wet newspapers
2021
Dimensions Variable
Fragment of political campaign poster, casted concrete from negative of heelshoes, gravel, crumpled wet newspapers
CV
Ingrid Blix (SE 1990)
EDUCATION
2021-2023 Master of Fine Art (120 hp) Konstfack University, Stockholm Swe
2015 -2019 Bachelor of Fine Art (240 hp) Gerrit Rietveld Academie, Amsterdam NL
2013 -2015 Textile Art & Clothes, Stenebyskolan, Dals Långed Swe
EXHIBITIONS
2024 Upcoming: Solo at Alta Art Space, Malmö Swe
2024. STRATA, solo - Nejd Art Space, Göteborg, Swe
2023 ‘Swift as thought!’ (Duo exhibition with Oda Huagerud), Heerz Tooya, Veliko Tarnovo, BU
2023 gagg babb dadd, solo - Galleri Konstfack, Stockholm, Swe
2023 Hayfever, Hall Gallery, Göteborg, Swe
2023 Konstfack Spring exhibition, Konstfack Stockholm, Swe
2022 June Thickens, Kvarnvikens Kvarn, Stockholm, Swe
2022 Cherry Picking Principles, Norra Ulvsunda, Swe
2022 MFA 1 Exhibition, Konstfack, Stockholm, Swe
2021 Hägerstens Medborgarhus, Stockholm, Swe
2020 POWER - Globe Gallery, Oranienburg Berlin, DE
2020 Earth Flax - Ride or Die 2, Göteborg, Swe
2019 Hybreed - Ride or Die, Göteborg, Swe
2019 Mouth Pond - Ingrid Blix & David Noro, Tilde Gallery, Amsterdam, NL
2019 Graduation Show, Gerrit Rietveld Academie, Amsterdam, NL
2019 Polly’s Wood, Goleb Gallery, Amsterdam, NL
2019 Take a Walk on the Wild side- Fabulating Alternative Imaginaries in Art & Life -
Stedelijk Museum, Amsterdam, NL
2018 Titanic - Gerrit Rietveld Academie, Amsterdam, NL
2018 Noisy Walls - Offsite house cellar, Amsterdam, NL
2017 Gut Fauna - Cultureel Centrum Fijnhout, Amsterdam, NL
RESIDENCIES
2024. Ringön Lost & Found, Nejd Art Space. Göteborg Swe
2023 JAI Institute of Artistic Practice - Tabakalera San Sebastián, Artium - Modern Museum of the Basque Country, Jorge Oteiza Museum, Spain
2023 ARV.International, Vishovgrad, Bulgaria
2020 Grabowsee, Oranienburg, Berlin Germany
GRANTS
2023 Assistant Grant - Swedish Art Grant Committee
2023 JAI - Institute of Practices Scholarship
2023 Konstfack scholarship for well executed studies
2023 August Ringér scholarship
2022 Hvitfeldska Stipendiet
2021 Swedish Art Grants Committee
2021 Carl Erik Lévin
2019 August Ringér scholarship ’19
2019 Malmö Industristipendium ’19
RELEVANT WORK
2024 Art assistant for Goldin+Senneby
2021 - ongoing, Art pedagog & host - Moderna Museet Stockholm)
2019-21 Art handler - Röda Sten Konsthall & Göteborg Biennal for Contemporary Art